Kendall Walton claims that when we look at a photograph of an object, we do not simply see a representation of the object; rather we "see through" the photograph to the object itself. Photographs owe their special status to their "mechanical," "automatic" origins, while paintings are "handmade." It seems like that this mechanical method creates a strong emotional bond with the audience. Because the photography has a causal relationship with the subject. first, it is a copy of the appearance of the object, and second, it is the causal trace of the object. The causal relationship of an object means that the object exists and is displayed in the photograph. The photograph can distort its subject, but the audience has a feeling that the photograph must be accurate. When the photograph is understood as a photograph, the audience knows that they are seeing what actually happened. This gives the photographer a lot of space to create in visual manipulation. Through the intervention of other materials, the picture does not look like the audience sees in the experience, so the audience will have a familiar and unfamiliar emotion.