PROJECT NAME. PHOTOGRAPHY

The development of mechanical reproduction technology has brought a series of changes to the art field. It drags the artist from the sacred "altar" that has been revered by the people, and destroys the tradition while giving modern art a new character, value and acceptance. The development of film technology has made many artworks have a transcript, which enable people to appreciate art more quickly and weaken some restrictions in time and space. But at the same time, the authenticity of the original is gone. Talking to the camera is different from speaking to the eye. This difference is caused by the unconscious space replacing the conscious space. Slow photography makes us aware of visual unconsciousness. Micro photography shows the details that are not realized in life. The unusually clear reproduction of photography in nature violates the nature of people's consciousness. Photography invades reality and is above reality. People's attitude towards photography is a materialized process. Aura produces distances with uniqueness. Now people are eager to eliminate distance, eliminating distance by technology replication and replacing uniqueness. The distance between art and the masses was brought closer, but the aura was lost. People's pursuit of digital photography images embodies an enthusiasm for eliminating distance. Later modification satisfied people's desire for images, but it lost the aura of photography, the image is no longer sacred, and the authenticity of photography is also suspect.